Photography was an inevitable career for me.
My father was a talented amateur photographer, with an eye for portraiture and the photographic essay. When I was young, he traveled often. His work took him all over the world. On my 9th birthday, he returned home from a trip to Germany with a birthday gift that would become my favorite; a smooth brown leather camera bag, with big silver buckles and wide leather straps. Tucked inside the bag was a 35mm SLR camera body and two lenses; a 135mm telephoto and a fast 50mm. It was all the camera gear I would need for years.
I loved that rig. I still have it to this day.
Shooting consistently in full manual mode taught me to how to use light to create compelling photographs of the world and the people around me. By the time I entered high school, I had graduated from an SLR camera to a Hasselblad medium format body. Armed with one normal and one telephoto lens, I carried that rig with me for years, first as the photographer for a high school newspaper and yearbook, then on personal projects.
I was hooked on photography.
My dream was to be a professional photographer, traveling the world on assignments for the likes of National Geographic, The New York Times or Rolling Stone. I fully expected to earn my living with a camera. As it often does, love would change those plans. Married very young, with a growing family to support, I turned to what would become a very lucrative career in building, design and development.
My photography career would have to wait.
Eventually, and inevitably, I left the world of building and design to pursue a career in photography. I am glad I waited. My experience in design, my love of architecture and my understanding of a sense of place, informs my photography in a way that I could never have anticipated.
I began my photography career as an architectural photographer, working for architects and design firms, photographing projects for websites, portfolios and design competitions. Eventually, I turned to commercial photography, creating content for ad agencies representing clients such as American Express, AT&T, Airbnb, Anheiser Busch and others. Always fascinated by the craft of visual story telling, I worked as a photojournalist for a time, covering human interest stories for an an award winning newspaper in a small southern town, then later traveling to Haiti to tell the story of the children of The Village of Hope and the people of Haiti.
Each one of these experiences has been unique and formative.
I consider myself blessed to be able to do this work. I am honored to be a part of every moment that I capture with my camera. I have had the amazing good fortune to work for many wonderful clients, creating images for architects, artists, art directors, authors, editors, musicians, missionaries, media companies, mothers and mothers-to-be, non-profits, ad agencies and businesses, small and large.
As I enter a new phase of my photography career, capturing images of the places I visit and creating Fine Art images of urban and natural landscapes, I am renewed and refocused. As I turn to photographing (and playing) beautiful golf courses, I am delighted to share that my spirit has been lifted and my handicap has dropped.
To say I am living my dream would be an understatement.
Neil Colton Photographer
Professional Member of The American Society of Media Photographers